浅析墨地浮雕龙纹瓶

浅析墨地浮雕龙纹瓶

此墨地浮雕纹龙瓶底色为墨色与金色浮雕龙纹形成强烈的视觉冲击,栩栩如生,呼之欲出,给人感觉要腾空而起。

浮雕,是在平面上雕刻出凹凸起伏形象的一种雕塑,是介于圆雕和绘画之间的艺术表现形式。浮雕的空间构造可以是三维的立体形态,也可以兼备某种平面形态;既可以依附于某种载体,又可相对独立地存在。

浅析墨地浮雕龙纹瓶

此瓶将圆雕与浮雕的处理手法加以成功的结合,充分地表现出龙腾于空起伏变化的复杂层次关系,给人以强烈的、扑面而来的视觉冲击感。

浅析墨地浮雕龙纹瓶

此瓶底款为篆体大清乾隆年制,龙是古代天子的象征,这是古代帝王所用之物的象征。

此大清乾隆年款的墨地浮雕龙纹瓶来自于香港客户。

This ink relief dragon bottle bottom color is ink and gold relief dragon pattern form a strong visual impact, lifelike, breathing out, giving people the feeling of empty.

浅析墨地浮雕龙纹瓶

Embossment is a kind of sculpture which carves concave and convex images on the plane, and it is an artistic expression form between round sculpture and painting. The spatial structure of relief can be either a three-dimensional form or a plane form; it can be attached to a certain carrier and exist relatively independently.

Photo Description (up to 50 words)

浅析墨地浮雕龙纹瓶

This bottle successfully combines the processing techniques of round sculpture and relief sculpture, fully demonstrates the complex hierarchical relationship of the dragon's rise and fall in the sky, and gives people a strong sense of visual impact.

Photo Description (up to 50 words)

浅析墨地浮雕龙纹瓶

The bottom of the bottle is the seal of the Qing Emperor Qianlong year system. The dragon is the symbol of the ancient emperor, which is the symbol of the things used by the ancient emperors.

This ink relief dragon bottle from the Qianlong period of the Qing Dynasty comes from Hong Kong customers.

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